A few edits...What is a First Page Session?

A wise old adage cautions: You can only make a first impression once. Realtors would agree; most homes, they tell us, are sold (or not!) in the first fifteen-minutes that a prospective buyer tours a property. What does all of this have to do with First Page Sessions? A lot!

Editors at large publishing houses receive an overwhelming number of unsolicited manuscripts. Collectively, these submissions are referred to as the “Slush Pile” and are read only as time permits.

Editors, in short, are very busy. To separate her work from the rest of the pile, a writer must “hook” an editor’s interest right away. The impression created by the first page of a manuscript is therefore crucial. An editor must be convinced from a manuscript’s first page of a writer’s ability to write.

A First Page Session helps a writer determine if his work accomplishes this goal. Sessions typically feature two editors who read each submitted first page and comment on its strengths and weaknesses. Works are also read aloud (usually by gracious volunteers) for other members of the audience to hear. This is done anonymously, since names are not allowed on the submissions. Not even the editors know who the author is unless the writer wishes to share that information on a separate sign-up sheet.

So what are editors looking for on that important first page? They are looking for virtues that should be present throughout the entire manuscript: clarity, structure, and originality. Has the writer set the scene; does the reader know what this story is about; who are the characters; why should we care?

You may also learn a great deal from comments made about other writers’ work: many suggestions made by editors at these sessions are applicable to writing well in general.

There is also something wonderful about listening to your work being read aloud. If you are writing in verse, a First Page Session offers an opportunity to see if the cadence that has been playing in your head is being grasped by someone reading cold. It is also a great chance to observe how the audience responds to your work. Have you brought a smile to their faces or caused them to sit up in their seats? Comments from the audience can be very informative.

First Page Sessions are usually followed by an optional dinner. These events are good networking opportunities and chances to enjoy camaraderie with those who share your interest in children’s literature. You might make a new friend, discover the name of an agent perfect for you, or learn more about publishing from one of the guest editors.

For all its benefits, the limited focus of a First Page Session makes it no replacement for a thorough critique. Nor can a First Page Session provide the repeated reviews necessary for producing a truly polished manuscript. For such in-depth assistance, a writer needs the help of a critique group or trusted colleague. Of course, these limitations are typical of targeted workshops; the advantages of a First Page Session are unique. Aspiring authors seeking to escape that vast “Slush Pile” will find attendance at a First Page Session most worthwhile.

For more information about how you can sign up for a First Page Session and receive guidelines for submission, visit the web site of SCBWI or your regional SCBWI.

HAPPY WRITING!